Drawings

When sketching, we begin by selecting a subject and creating a setting with interesting scenarios. The main goal is to capture the essence of a character, and then we analyze the light and shadow to ensure the accuracy and significance of their expressions. Drawing allows us to explore surfaces and decipher shapes, improving our eyesight and perception. It’s a way to convey impressions and chronicles through a dance of lines and fleeting forms. Each stroke unveils an intuitive story, a whispered sketch waiting to be filled with colors. Missing colors.

An intriguing trend in art drawing today is reminiscent of Honoré Daumier’s style. His masterpieces feature exaggerated features and dynamic postures, which reveal social commentary. Studying his works helps to infuse drawings with life and narrative, transforming simple sketches into powerful visual statements. Drawing becomes a journey of discovery, enhancing appreciation for human expression and visual storytelling...

India.

Pencil/paper

21 x 30 cm

Gisela.

Ballpen/paper

21 x 22 cm

Margarita.

Ballpen/paper

22 x 22cm

Soila.

Pencil/paper

21 x 30 cm

Elena the rebel.

Pencil/paper

23 x 30 cm

The drop of impudence.

Pencil/paper

21 x 27 cm

Angel with strings.

Pencil/paper

21 x 28 cm

Introverted alien.

Pencil and ballpen/paper

21 x 30 cm

The drunk.

Pencil and watercolor/cardboard

23 x 28 cm

Old hermit.

Pencil and watercolor/cardboard

23 x 28 cm

The laughter of a beggar.

Pencil, ballpen, and watercolor/cardboard

21 x 35 cm

The gnome can’t find his bird.

Ballpen and ink/paper

23 x 30 cm

There is always a bastard who swims faster than you.

Ballpen/paper

23 x 31 cm

 We are the old mythologic, the ordinary chronic, the silent of confusion. The fable, and the pain. In the hushed theatre of a black page, we summon fleeting phantoms, weaving whispers of ink into their forms. Is this a lover, a villain, a child born of fleeting thought? We drape their voices tested in the crucible of charcoal and chalk. For an artist, like a cunning interrogator, every breath of pencil or ink, demands the truth.

Is it mere vanity to surf across the paper, rewriting the secrets etched in form and texture? Perhaps, but in this pursuit, our eyes sharpen, becoming hunters of shapes, architects of perception. We are seekers, but not just the surface, we dive into narratives hidden within the grand epics language of lines and blanks. We are sailors searching for fables in every port, navigating the seas of imagination to uncover hidden quotes. Each drawing becomes a voyage, an exploration of the unseen realms of the human spirit. Our compasses are guided by the strokes and shadings we discover, as we chart the uncharted territories of our imagination.

Motor girl.

Ballpen and ink/cardboard

46 x 31 cm

Money girl.

Ballpen, ink, and collage/cardboard

46 x 31 cm

Leda and the Swan.

Pencil and watercolor/paper

38 x 28 cm

Revelation to Magdalena.

Pencil and watercolor/paper

38 x 28 cm